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I load BLK on my and it all shoots just fine If you are that into match ammo, a single stage may be best any way If you invest in multiple tool heads with powder drops, caliber changes on the are very fast though more expensive than the LnL.

The case feeder works very well and is generally a bit less of a hassle than the LnL case feeder from what I've read especially with short rifle cases like the BLK One of the complaints about the is that when the shell plate "snaps" into the next stage, it can slosh powder out of the case.

My loads aren't anywhere near the case mouth, so I don't have any issues. There are also a few fixes out there to reduce the snap a bit. The LnL doesn't have that issue though it does have others, like the case feeder with BLK, certain bushings wearing out, though that is probably fixed by now. My friend bought the LnL on my recommendation and he's been very happy with it. I like the and wouldn't trade it for anything at this point, but I'd have trouble picking between it and the LnL if I were buying today.

With the LnL's die twist lock system, you wouldn't have to incur the price of the tool head, MUCH cheaper in the long run and you can more easily treat the LnL as a "single stage" press. My favorite single stage right now is the Forster Co-Ax press. Very neat design and very quick to change dies and a self-centering shell holder system. But good god it's expensive!

Wed Jul 18, 2: For true multicaliber, the Hornady is a better press and value. If you are going to load K rounds between caliber changes, the Dillon is more reliable. The Hornady changes quicker and cheaper. To come close in a Dillon you have to but a separate toolhead and powder measure for each caliber.

I use the Dillon for and the Hornady for everything else. Thanks for the replies guys, the thing i'm trying to wrap my head around on the progressive presses in regards to. Thu Jul 19, Progressive is faster for the loading not the resizing aspect of rifle cartridges. Itt even has all the setups you need for all the calibers you listed, you just need to add dies. Thu Jul 19, 8: Thu Jul 19, 9: Don't get hung up on this notion that the dillon progressives won't load precision ammo, RayJay.

I'm talking bullet packs of Sierra matchkings at a time. I keep a LNL single stage too But the b blows out some ammo. I prime off press and just throttle the machine non stop for rounds. Thu Jul 19, 1: Thu Jul 19, 2: Thu Jul 19, 3: I do all my rifle sizing and prep work on a Hornady single stage and all the loading on a Dillon I want to move the so I can get a and use a case feeder, hand feeding gets old after the th someodd round.

Thu Jul 19, 4: People that shun progressives for accurate rifle or discount the speed they bring to the process are either trying to fool themselves so they can save money or don't load enough to justify a progressive and think "if its a long drawn out process it has to be better". As a result, the number of contestants advancing to the Playoffs might not be the same among four teams.

In some versions, all contestants perform each week and only the public's vote determines which contestants advance in the competition, a format similar to both Idols and The X Factor. This means that any contestant can be eliminated and no coach is guaranteed a spot in the finals. Along with this elimination method, there is an Instant Save in certain versions, most notably the US version , Israeli version , and Australian version , where contestants usually two or three who are in danger of elimination have to perform again and another vote is conducted to save one of those contestants.

Some versions of The Voice applied a new rule called Wildcard, which will give one previously eliminated contestant a second chance to advance to the finals based on the public's vote on a distinct portal. The third season of the Australian Version was the first to conduct a Wildcard round to give one eliminated artist in the semi-final a fifth spot in the grand finale. The Wildcard was then applied in seventh season of the U. The seventh season of The Voice Australia brought back the Wildcard, with a slight change: The Cross-battle was introduced as one of the live rounds in the fourth season of The Voice of Holland.

The Cross-battles returned in the fifth season of the Dutch version, but later dropped in the succeeding seasons. The seventh season of The Voice Brasil features a instant save vote, to save one of the losing contestants in the Cross-battle. The Remix round, introduced in the fifth season of The Voice Brasil , is a way to balance the teams after the Cross-battle. On it, coaches will again attend the performance of the contestants at the end, and each of them will press the famous red button to choose who will move to the next phase, just like in the Blind Auditions.

Contestants who have more than one button pressed will be able to decide which team they want to stay in. Coaches may use a wildcard, which guarantees Supreme Power at the time of choice.

If more than one of them presents the card, the priority will always be the team's original coach. At the end of Remix each coach will have three or two depending on the season contestants for the Semifinals.

Starting from the seventh season , The Voice of Holland implements new system in the live shows, Scoring. During each contestant's performance, every coach can give the score up to ten, as well as the viewers. Then the coaches' score and viewers' score each will be averaged, and the be combined, ultimately giving the score to the contestant at the end of performance, which will determine the fate of the contestant.

The Scoring system is usually used until the semi-final. The appearance of coaches names on the floor after pressing the buttons in the blind auditions was first introduced in the eleventh season of the U. The design was adopted in the following versions:. Astro AEC 1 Website.

Star TV 1 Website. From Wikipedia, the free encyclopedia. Redirected from The Voice TV series. This section needs expansion with: You can help by adding to it. With own version of The Voice. Part of a regional or multinational version of The Voice. Countries without their own version of The Voice. Jawed Yosufi Season 2, Ahmad Popal 1 Omid Nezami 2 Khadija backstage, 1—2.

Pamela Baketana Season 2, — Victoire Biaku Season 3, — Rina Bilurdagu Season 2, — Venera Lumani Season 3, — Florent Abrashi Season 4, — Aslaidon Zaimaj Season 5, Tiri Gjoci Season 6, Denis Bonjaku Season 3, Dinamene Cruz 1 Weza Solange backstage, 1. Mourad Bouriki Season 2, — Sattar Saad Season 3, Nedaa Sharara Season 4, Lynn Hayek Season 2, — Hamza Labyad Season 3, Mary Mnjoyan Season 2, Ana Khanchalyan Season 3, Raisa Avanessian Season 4, Hayk Ghulyan Season 5, Karise Eden Season 2, Harrison Craig Season 3, Anja Nissen Season 4, Ellie Drennan Season 5, Alfie Arcuri Season 6, Judah Kelly Season 7, Sam Perry Season 8, Darren McMullen 1 Prinnie Stevens backstage, 1.

Glenn Claes Season 2, Paulien Mathues Season 3, Tom De Man Season 4, Lola Obasuyi Season 5, Luka Cruysberghs Season 6, Mentissa Aziza Season 2, — Jens Dolleslagers Season 3, Katarina Pohlodkova Season 4, Roberto Bellarosa Season 2, David Madi Season 3, Laurent Pagna Season 4, Florent Brack Season 5, Laura Cartesiani Season 6, Valentine Brognion Season 8, Sam Alves Season 3, Renato Vianna Season 5, Mylena Jardim Season 6, Samantha Ayara Season 7, Wagner Barreto Season 2, Thomas Machado Season 3, Eduarda Brasil Season 4, Steliyana Hristova Season 2, Ivailo Donkov Season 3, Kristina Ivanova Season 4, Radko Petkov Season 5, Nia Petrova Season 6, Buth Seiha Season 2, Chea Vibol Chan Keonimol.

Pich Thai Season 2, Yoan Garneau Season 3, Kevin Bazinet Season 4, Ludovick Bourgeois Season 6, Yama Laurent Season 7, Charles Kardos Season 2, Luis Pedraza Season 2, Sergio Lagos 1—2 Jean Philippe Cretton 1—2. Liang Bo Season 2, Li Qi Season 3, Zhang Bichen Season 4, Miranda Season 2, Luis Mario Torres Season 3, Kim Wagner Season 2, Melina Season 2, Aland Season 3, Isabel Season 4, Oliver Season 5, Oh Land Wafande Joey Moe. Mikko Sipola Season 2, Antti Railio Season 3, Siru Airistola Season 4, Miia Kosunen Season 5, Saija Saarnisto Season 7, Jerkka Virtanen Season 8, Molly Rosenström Season 2, Axl Smith 1—2 Tea Khalifa 1—2.

Kendji Girac Season 4, Lilian Renaud Season 5, Slimane Nebchi Season 6, Lisandro Cuxi Season 7, Carla Georges Season 2, Jane Constance Season 3, Manuela Diaz Season 4, Nikos Aliagas [40] Karine Ferri backstage [40]. Salome Katamadze Season 2, — Mariam Chachkhiani Season 3, — Duta Skhirtladze 1—3 Anna Imedashvili 1—3.

Samory Balde 1 Ruska Makashvili 1. Ivy Quainoo Season 2, Nick Howard Season 3, Andreas Kümmert Season 4, Charley Ann Schmutzler Season 5, Jamie-Lee Kriewitz Season 6, Tay Schmedtmann Season 7, Natia Todua Season 8, Danyiom Mesmer Season 3, Noah-Levi Korth Season 4, Lukas Janisch Season 5, Sofie Thomas Season 6, Anisa Celik Season 7, Lena Gercke Thore Schölermann.

Maria Elena Kiriakou Season 2, Kostas Ageris Season 3, — Giannis Margaris Season 4, Yiorgos Zioris Season 5, Hjörtur Traustason Season 2, — Pawandeep Rajan Season 2, — Karan Tacker Meet Jain backstage. Nishtha Sharma Season 2, — Jay Bhanushali Sugandha Mishra. Billy Simpson Season 2, Klau Season 3, — Current Armand Maulana 1, 3— [45] Anggun C. Christopher Edgar Season 2, Sharla Martiza Season 3, Pat Byrne Season 2, Keith Hanley Season 3, Brendan McCahey Season 4, Patrick Donoghue Season 5, Kathryn Thomas 1—5 Eoghan McDermott 1—5.

Kathleen Reiter Season 2, — Lina Makhul Season 3, Elkana Marziano Season 4, — Sapir Saban Season 5, Elhaida Dani Season 2, Another peculiarity is that they mostly paint their stuff in a small range of colours or have them mixed into the increasing amount of plastics used — red for Forster, Hornady, and Lee; green for Redding and RCBS.

Maybe make components like frames and rams more accurately to closer tolerances through CNC machining … and so on. It was that rare event — a new, completely different design appearing — that started this review off some time back. The mainstay of its rifle cartridge presses was the single-stage Rock Chucker, a venerable heavy-duty O-frame type that had been upgraded some time before to the Rock Chucker Supreme, its frame height increased to give a 4.

So, when the company announced the launch of a new single-stage press at SHOT , one might have expected another O-frame filling the gap — but not so. It was a C-form press that appeared instead, albeit nothing like a conventional model.

There is no ram as such, this component replaced by a massive three-inch diameter machined steel column, the die-platform moving down it on handle operation, thereby taking the tool to the case.

As with the RC-Supreme, the boss is drilled and tapped on either side of the column to allow left or right hand handle mounting for ambidextrous operation. The long handle operates through a near deg arc pointing slightly behind vertical at rest, moving to the horizontal position when the case is well into the die before needing another 12 or deg downwards movement to fully size a case. The layout has two great pluses over any other bench model I know of — its vertical column form reduces the tendency to be pulled over towards the user when working hard so it manages with a small mounting area by normal standards and a two bolt fixing set-up.

With its upside-down reversed layout, nothing hangs below the base, therefore below the bench-top, facilitating the use of space underneath. It also suits temporary mounting on say a dropped pick-up tailgate or other alfresco platform for those camping out and loading ammo on-range. Alan also added the RC-Supreme and an RCBS Accessory Base Plate-2 — the former to compare the Summit press against, the latter to facilitate bench mounting, being already drilled and tapped for both models as well as various other RCBS presses and devices including the bench priming tool, case trimmer, Uniflow measure and more with the fixing bolts included.

I took to the Rock Chucker straight off and can well understand its enduring popularity, easy to operate and works very smoothly and efficiently.

Like the Summit, the operating handle is above the machine, located centrally here and there are again twin steel links at the top end of the press dropping down to the moving parts. I own this press and it meets my handloading needs very well. So, I was going to judge them subjectively and also partly objectively on how well and easily they did some full-length sizing. Ideally, I needed a quantity of largish cases fired in a rather slack chamber preferably from a factory rifle or rifles — not much of a test sizing 6.

There were three main batches involved: Suddenly, the FL sizing task had become much harder! Some other fired brass from Hirtenberger and PMC lots was used to set the die up in each press. It had seen very little or no use beforehand and was thoroughly degreased and cleaned before this exercise.

10-Shot Load Development